The brackets of transitional serif fonts are rounded and smooth but the edges of the serifs are very square. The curved edge that connects the stroke and the serif is a bracket, so you'll often see this style referred to as bracketed. John Baskerville was the English printer and typographer who pioneered this style thanks to some advances in printing methods, so Baskerville is a shining typeface example. Transitional serifs are more pronounced and sharper than old style serifs. Then, draw a thin, rounded rectangle for each serif. If you look closely at Garamond, every 90 degree angle has been softened with a rounded edge, including the transition into each serif. Then thicken the down strokes a bit - the contrast in this style of type is not very dramatic. Draw a letter as you normally would, giving all of the body some weight. For a good example of this style, take a look at Garamond.ĭrawing this style is relatively easy, as imperfections are part of the historic, handmade charm of old style serifs. This type style has a hand-crafted look, rather than the sharper, more machine-made look of a transitional or modern serif. This serif style has smooth, rounded transitions between the thick and thin strokes, and the transition into the serifs (which have slightly rounded edges) is a very gradual, smooth slope. Old-style serif fonts meant to imitate brush strokes of old school scribes, so they have a softer, rounded appearance. Other basic typography anatomy terms ( this drawing from SeanWes is a great visual dictionary). Let's try to clear things up! Important Terminologyīefore we get started, there are some important terms that we're going to be repeating.īracket: This is a rounded line that connects a serif to the stroke of the letter for a smooth transitionĬontrast: In this case, we'll be referring to the difference between the thickest part of the letter and the thinnest. Serifs have been classified many different ways, but the terminology gets confusing. There are a lot of overlapping terms for the same types of serif, which can make knowing what's what as clear as mud. Over time, the terms for different serif styles have evolved, but confusingly, the old terms are still used (resulting in multiple names for the same style). Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.Serif styles are one of the staple classifications of typography. A serif is that little extra stroke found at the end of main vertical and horizontal strokes of letterforms. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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